For those of you who aren’t familiar with it, SVK is a collaboration we’ve published between writer Warren Ellis (Transmetropolitan, Planetary, Crooked Little Vein, RED), artist Matt “D’Israeli” Brooker (Stickleback, Lazarus Churchyard, 2000AD).
It’s an experimental graphic novella about looking – an investigation into perception, storytelling – and printing with UV ink…
Ian J. Culbard’s fantastic adaptation of H. P. Lovecraft’s classic.
A tale of terror unlike any other: The barren, windswept interior of the Antarctic plateau was lifeless, or so the expedition from Miskatonic University thought. Then they found strange fossils of unheard-of creatures, carved stones tens of millions of years old and, finally, the unspeakable, mind-twisting terror of the City of the Old Ones.
Written in the early years of the 21st century, when the author (Steve Moore) was engaged in dream-explorations and mystical practices centred on the Greek moon-goddess Selene, Somnium is an intensely personal and highly-embroidered fictional tapestry that weaves together numerous historical and stylistic variations on the enduring myth of Selene and Endymion. Ranging through the 16th to 21st centuries, it combines mediæval, Elizabethan, Gothic and Decadent elements in a fantastic romance of rare imagination.
With its delirious and heartbroken text spiralling out from the classical myth of Endymion and the Greek lunar goddess Selene, Somnium is an extraordinary odyssey through love and loss and lunacy, illuminated by the silvery moonlight of its exquisite language.
With an afterword by Alan Moore, whose biographical piece Unearthing details the life of his friend and mentor Steve Moore, and includes the circumstances surrounding the writing of Somnium.
“I was probably about thirteen years old when I read Dracula for the first time. I have no idea why. I ordered it from one of those little book catalogues you used to get in school. I shudder to think what would have happened if, instead, I’d tried to read Frankenstein at that age. It surely must have been in the same catalogue. Maybe I’d be an accountant now. Nothing against Frankenstein, but I know me, and I know it would not have hooked me through the eyeball (and brain) the way Dracula did. I distinctly remember finishing the book and thinking, ‘Well, this is it. I have found my thing.’ It’s like finding that city or, if you’re very lucky, that house where you know you want to spend the rest of your life. And that’s pretty much what I’ve done.”
Just in time for Christmas comes the definitive edition of Stoker’s famous haunted house story, “The Judge’s House”. This facsimile edition, celebrating the 120th anniversary of the tale’s first appearance, reproduces the text from Dracula’s Guest and Other Weird Stories (1914). And especially for the occasion, Mike Mignola, the esteemed creator of Hellboy, has provided an original frontpiece — a portrait of Stoker’s baleful and vindictive Judge — and an introduction entitled “Bram Stoker and I”. Also included is a reproduction (in miniature) of the story’s 1891 appearance in the Illustrated Sporting and Dramatic News’s Christmas annual, Holly Leaves. Rounding out the booklet are endnotes and an afterword by Gothic scholar Jack G. Voller. And remember, “Rats is bogies, I tell you, and bogies is rats!”
This wonderfully tempting graphic novel perfectly brings to life all of the forbidden pleasures of Richelle Mead’s phenomenal Vampire Academy series.
Overseen by Richelle Mead, adapted by Leigh Dragoon and illustrated by acclaimed British illustrator Emma Vieceli, this beautiful new format will be loved by fans old and new.
St Vladimir’s Academy isn’t just any boarding school – hidden away, it’s a place where vampires are educated in the ways of magic and half-human teens train to protect them.
Rose Hathaway is a Dhampir, a bodyguard for her best friend Lissa, a Moroi Vampire Princess. They’ve been on the run, but now they’re being dragged back to St Vladimir’s where the girls must survive a world of forbidden romances, a ruthless social scene and terrifying night time rituals. But most of all, they must stay alive.