Darklore Volume 9 out now


The latest volume of Darklore is out, featuring my collected Strange & Norrell inspired articles (amongst lots of other wonderful stuff).


Limited Edition Hardcover


The latest release has themes of magic and mysticism running through it, with essays from regulars including Mike Jay and Robert Schoch, as well as a conspicuous newcomer to our pages: the great Alan Moore!

We have a theme of magic and mysticism running through Darklore 9: Blair MacKenzie Blake surveys and reinterprets the infamous grimoires of centuries past; Alan Moore asks if magic is in any way relevant to the modern world, advocating a scorched earth approach and new beginnings; John Reppion uses a fictional work to illustrate the origins and practice of various magical traditions; and Cat Vincent looks at the origins and practice of various magical traditions and shows how many of them come from fictional works.

No Darklore release focuses on just one topic though. And so, along with the magical core of Volume 9, we have a number of fascinating articles on other topics of interest: Mike Jay reviews the ‘hidden history’ of the 19th century Club des Hachischins; Adam Gorightly looks at the amazing, controversial life of Kerry Thornley, co-creator of Discordianism and one-time JFK assassination suspect; Robert Schoch takes us beyond the Hollywood version of the werewolf to better understand the origins of this archetypal monster; Paul Devereux introduces us to the shamanic plants of the Americas; and Greg Taylor finds that the history of research into meteorites offers a valuable lesson to science on the value of listening to eye-witness reports.

We’ll be publishing some sample articles at the Darklore website in the coming weeks.

Thought Bubble comic con this weekend


A photo posted by Electricomics (@electricomics) on

500 things. Signed by Alan Moore. Available only at Thought Bubble this weekend. Interested? Read on.

Leah and I will be at Britain’s bestest comic con – Thought Bubble in Leeds – this coming weekend as part of team Electricomics. Here are the full details of where and when to find us:

We’ll be signing 15:00 until 16:30 Sat and Sun in the Royal Armouries Hall, tables 23 and 24. [map]

Exhibiting all weekend in New Dock Hall, table 22 as part of the Electricomics team. [map]

Electricomics: Bright Sparks panel Sat, Royal Armouries Newsroom (4th Floor), 13:30 – 14:20 (free entry with Saturday/Weekend convention pass, all ages)

The Electricomics team shed light on the genesis and aims of their ambitious project, which aims to bring a new and completely self-contained Ecosystem to the world of digital comics.

Mitch Jenkins will talk about ‘The Show’, the dark film project from he and Alan Moore that spawned Electricomics, and bring a message from the man behind the curtain himself. We’ll get a rundown on Digital Comics thus far from Daniel Merlin Goodbrey, and then Pete Hogan, Leah Moore and John Reppion will unburden themselves on storytelling with digital in mind.

With speakers Mitch Jenkins (Director – Orphans of the Storm), Daniel Merlin Goodbrey (Senior lecturer in Interaction Design at The University of Hertfordshire), Leah Moore (Editor/Writer), John Reppion (Writer), and Pete Hogan (Writer).

We’ll also be at the mid con party on Saturday night and I promise to try not to fall asleep this year.*

Please, please, please come over and say hello, ask us questions, make us sign things, and buy stuff.


*depends on how much sleep my kids let me have the night before.

Bookmarks 6th June 2014

This is pretty much an info/link dump I’m afraid, but if you’re looking at this site it’s all stuff you should find interesting. Apologies if you’ve already seen all this via Twitter but I suppose that’s the way things go these days.

Alan Moore discusses ELECTRICOMICS in the Guardian


Dinosaurs and Dragon Bones – a new article by John on Daily Grail


How to feed the 5000 and still have money for other stuff – a new piece by Leah on Lifetime UK


John interviews heavy instrumental duo Khuda for the Sleeping Shaman


John reviews Khuda’s ‘Molasses Constricts The Clinostat’ for the Sleeping Shaman


Enjoy your weekend!

The Creative Process Blog Tour

Geoff Holder is a self described “Author, Scriptwriter, Proofreader, Curmudgeonly Old Git”. He’s the writer of Zombies from History, 101 Things to do with a Stone Circle, and Poltergeist Over Scotland among many, many others.

We met Geoff a couple of years back at the very fun and very interesting Manchester Monsters Convention and have been Twitter and email followers/correspondents ever since.  Geoff very kindly nominated us to take part in The Creative Process Blog Tour in which an author answers four questions and then nominates two other authors to do the same.


What are we working on?

In the company of Sherlock HolmesJohn: Lots of stuff. Some of it at the proofing stage (Black Shuck pages coming in from Steve Yeowell, The Problem of  the Empty Slipper with Chris Doherty and Adam Cadwell for In the Company of Sherlock Holmes recently signed off), some still being pitched, some comics stuff fully scripted but not yet drawn.

Yesterday I sent off a page-by-page breakdown of a new Megazine series which we should hopefully start scripting in the next week or so.

Leah: I’m currently editing a big exciting project involving us, some two bit author nobody’s heard of called Alan Moore, and some of our favourite writers and artists. We hope to be able to announce properly next week maybe, so watch this space.

I’m also writing some articles for Lifetime magazine on parenting. We have three little boys, two year old twins and a four year old, so life is busy and loud at the moment. not ideal conditions to write in, but ideal fodder for these articles. We have a lot of pitches out there at minute, so we are playing the waiting game on them, and trying to get them in front of the right people. Its hard to keep pushing everything at all times, so we settle for nudging everything forward a bit on a loose ‘when we remember to’ rotation.


How does our work differ from others of its genre?

John: We work in lots of different genres. Comics is a medium, not a genre (as many people will point out quite wearily) and outside of our comics work we both write lots different stuff from Fortean articles to Mum-blogging.

Leah: I think our work is quite different because we love comics as a medium, but we are by no means super fans of most of the industry. Neither of us have ever really obsessed about any particular title or genre, so I think we draw on other sources to fuel our ideas. John is really into folklore and Forteana, which has a big influence, and when I get the time I love fat novels, especially sci-fi. We both like mysteries and crime shows on TV and big fantasy films, so we try and bring things from all of that to our comics, instead of referencing comics that have gone before. I hope the result is better for all of that.


Why do we write what we do?

CompDracHC-7Leah: I think we write for the love of seeing things real and in the flesh when they were once in our heads. The thrill of seeing your work in print, or on screen never leaves you, and the drug like buzz is certainly addictive.

I find the little articles I’ve done raise a lot of discussion and debate on Facebook and Twitter and I find that really satisfying, seeing people talking and chewing stuff over because of my writing.

I’d love to be one of those writers whose mind is overflowing with a waterfall of ideas and all they have to do is stick out a net, but i’ve always found it much harder than that, we have to put stories together quite carefully, and make sure they are good and strong enough to write. This means we are slow as anything, but we get there!

John: We just got back from a week-long family holiday and though it was lovely, it was really nice to get back to writing when we got home. It’s something you end up addicted to, I think.

There are things that crop up again and again – not themes so much as approaches or ways of looking at things. You have to be interested in in what you’re writing, even when it’s something that’s been assigned to you, and I think the ways in which you interest yourself, the angles to use to view topics from, are the things that give a writer a specific voice. It’d weird because there’s a Moore & Reppion voice which is neither of ours; it’s a composite entity we’ve created. We write what we do in comics because we’ve found a way of squishing our two brains into one hypothetical head.


How does our writing process work?

Leah: We work differently now to how we used to by necessity of children and limited free thinking space. We used to collaborate constantly walking and talking and thinking and writing, but now we have very little time so everything is done in frenetic bursts. It seems to still work, but its a slightly more stressful way of working. I think the story part of your brain is still working even when you are wiping up sick and shouting the kids to get off the table, I think you make connections all the time and eventually they work themselves into things. I hope so anyway, or we’ll have to get proper jobs.

John: Comics work used to be done via a lot of democratic discussion and back and forth revision but now we do it in more of a conveyor belt system where we hand things on to each other at different stages. I tend to work things out in my head a lot more thoroughly before I get to actually type anything nowadays  – just because I can do that bit while I’m changing nappies, or pushing a pram, or whatever, as Leah says.

With some of our most recent work it’s been a case of me breaking things down into page by page plot points, then Leah roughing the pages out, then one of us typing up from the roughs, then the other going over the script. We’re still sharing the work out between us but we’re doing it in manageable stages.


And so we pass the baton(s) on to novelist, comic book writer, and occasional short-story-ist C. E. Murphy and to unsettling horror writer supreme Ramsey Campbell.

Suggested stuff to buy this gift giving season #6 – Somnium

Written in the early years of the 21st century, when the author (Steve Moore) was engaged in dream-explorations and mystical practices centred on the Greek moon-goddess Selene, Somnium is an intensely personal and highly-embroidered fictional tapestry that weaves together numerous historical and stylistic variations on the enduring myth of Selene and Endymion. Ranging through the 16th to 21st centuries, it combines mediæval, Elizabethan, Gothic and Decadent elements in a fantastic romance of rare imagination.

With its delirious and heartbroken text spiralling out from the classical myth of Endymion and the Greek lunar goddess Selene, Somnium is an extraordinary odyssey through love and loss and lunacy, illuminated by the silvery moonlight of its exquisite language.

With an afterword by Alan Moore, whose biographical piece Unearthing details the life of his friend and mentor Steve Moore, and includes the circumstances surrounding the writing of  Somnium.

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